Judith Beveridge Speech Essay - 1092 Words

Judith Beveridge is a poet of great detail. Her poems are written with strong use of language. Strong imagery of her observations and contrasts of her views help create her poems meaning and effect on the reader. Beveridge’s texts are valuable to the understanding of human and nature’s precious life, and her appreciation for life in all. Through her two poems ‘the domesticity of Giraffes’ and ‘the streets of Chippendale’ these both communicate her ideas and values the strongest. One of Beveridge’s strongest values is of life, in ‘the domesticity of giraffes’ this is displayed from the first sentence of the second stanza. ‘I think of her graceful on her plain’ Beveridge puts herself into the poem, her thoughts of the giraffe in her natural†¦show more content†¦Life in Chippendale is rough, alcoholic and sad. Beveridge uses juxtaposition to contrast the names of the streets with what they sound to be. ‘Abercrombie sounds like the eccentric unmarried third cousin’ ‘but Abercrombie’s different’. Beveridge personifies the street as though it is a grumbling, alcoholic, causing trouble and disturbance. There is so much violence, as though men are fighting in their drunken confident state to up their lacking self esteem. ‘Sad daughter of the ruined slipper’ violence sexual abuse nothing of what is accepted in society. The community of Chippendale has no value anymore, no society morals exist. Life is not valued or precious, there seem to be no happy memories to ever come from this place ‘ streets go to wall like families’ ‘ ivy vine rose and myrtle not one of your descendants mourns your loss’ the people of Chippendale don’t want to remember this place at all. Though above the grime and run down nature, ‘Thomas and Edward have climbed to new heights, incomes and renovations, things are slightly looking up in one small part of town. The streets of Chippendale are very male dominated. Beveridge particularly portrays this with certain lines, images in our minds from the words beer mates drunks and work boot bruises come together to create the image of a man after work, in his late nightShow MoreRelatedDomesticity of Giraffes and Fox in a Tree Stump1422 Words   |  6 PagesTHE DOMESTICITY OF GIRAFFES AND FOX IN A TREE STUMP SPEECH. Good morning/Afternoon class, in my speech I will be discussing my understanding of the poems Domesticity of Giraffes and Fox in A Tree Stump by Judith Beveridge. Moral values and meanings are portrayed through these two poems by expressing and clarifying the value of life and exploring humanitys relationship with animals. The two poems clarify the value of life through both active and passive roles. In Fox in a tree stump an activeRead MoreMarketing Mistakes and Successes175322 Words   |  702 PagesUniversity; Joan Lindsey-Mullikin, Babson College. Also: Barnett Helzberg, Jr. of the Shirley and Barnett Helzberg Foundation, and my colleagues from Cleveland State University: Ram Rao, Sanford Jacobs, Andrew Gross and Benoy Joseph. From Wiley: Judith Joseph, Kimberly Mortimer, Carissa Marker. Robert F. Hartley, Professor Emeritus College of Business Administration Cleveland State University Cleveland, Ohio R.Hartley@csuOhio.EDU ABOUT THE AUTHOR Bob Hartley is Professor Emeritus

The Amber Spyglass Chapter 25 Saint-Jean-Les-Eaux Free Essays

The cataract of Saint-Jean-les-Eaux plunged between pinnacles of rock at the eastern end of a spur of the Alps, and the generating station clung to the side of the mountain above it. It was a wild region, a bleak and battered wilderness, and no one would have built anything there at all had it not been for the promise of driving great anbaric generators with the power of the thousands of tons of water that roared through the gorge. It was the night following Mrs. We will write a custom essay sample on The Amber Spyglass Chapter 25 Saint-Jean-Les-Eaux or any similar topic only for you Order Now Coulter’s arrest, and the weather was stormy. Near the sheer stone front of the generating station, a zeppelin slowed to a hover in the buffeting wind. The searchlights below the craft made it look as if it were standing on several legs of light and gradually lowering itself to lie down. But the pilot wasn’t satisfied; the wind was swept into eddies and cross-gusts by the edges of the mountain. Besides, the cables, the pylons, the transformers were too close: to be swept in among them, with a zeppelin full of inflammable gas, would be instantly fatal. Sleet drummed slantwise at the great rigid envelope of the craft, making a noise that almost drowned the clatter and howl of the straining engines, and obscuring the view of the ground. â€Å"Not here,† the pilot shouted over the noise. â€Å"We’ll go around the spur.† Father MacPhail watched fiercely as the pilot moved the throttle forward and adjusted the trim of the engines. The zeppelin rose with a lurch and moved over the rim of the mountain. Those legs of light suddenly lengthened and seemed to feel their way down the ridge, their lower ends lost in the whirl of sleet and rain. â€Å"You can’t get closer to the station than this?† said the President, leaning forward to let his voice carry to the pilot. â€Å"Not if you want to land,† the pilot said. â€Å"Yes, we want to land. Very well, put us down below the ridge.† The pilot gave orders for the crew to prepare to moor. Since the equipment they were going to unload was heavy as well as delicate, it was important to make the craft secure. The President settled back, tapping his fingers on the arm of his seat, gnawing his lip, but saying nothing and letting the pilot work unflustered. From his hiding place in the transverse bulkheads at the rear of the cabin, Lord Roke watched. Several times during the flight his little shadowy form had passed along behind the metal mesh, clearly visible to anyone who might have looked, if only they had turned their heads; but in order to hear what was happening, he had to come to a place where they could see him. The risk was unavoidable. He edged forward, listening hard through the roar of the engines, the thunder of the hail and sleet, the high-pitched singing of the wind in the wires, and the clatter of booted feet on metal walkways. The flight engineer called some figures to the pilot, who confirmed them, and Lord Roke sank back into the shadows, holding tight to the struts and beams as the airship plunged and tilted. Finally, sensing from the movement that the craft was nearly anchored, he made his way back through the skin of the cabin to the seats on the starboard side. There were men passing through in both directions: crew members, technicians, priests. Many of their daemons were dogs, brimming with curiosity. On the other side of the aisle, Mrs. Coulter sat awake and silent, her golden daemon watching everything from her lap and exuding malice. Lord Roke waited for the chance and then darted across to Mrs. Coulter’s seat, and was up in the shadow of her shoulder in a moment. â€Å"What are they doing?† she murmured. â€Å"Landing. We’re near the generating station.† â€Å"Are you going to stay with me, or work on your own?† she whispered. â€Å"I’ll stay with you. I’ll have to hide under your coat.† She was wearing a heavy sheepskin coat, uncomfortably hot in the heated cabin, but with her hands manacled she couldn’t take it off. â€Å"Go on, now,† she said, looking around, and he darted inside the breast, finding a fur-lined pocket where he could sit securely. The golden monkey tucked Mrs. Coulter’s silk collar inside solicitously, for all the world like a fastidious couturier attending to his favorite model, while all the time making sure that Lord Roke was completely hidden in the folds of the coat. He was just in time. Not a minute later a soldier armed with a rifle came to order Mrs. Coulter out of the airship. â€Å"Must I have these handcuffs on?† she said. â€Å"I haven’t been told to remove them,† he replied. â€Å"On your feet, please.† â€Å"But it’s hard to move if I can’t hold on to things. I’m stiff – I’ve been sitting here for the best part of a day without moving – and you know I haven’t got any weapons, because you searched me. Go and ask the President if it’s really necessary to manacle me. Am I going to try and run away in this wilderness?† Lord Roke was impervious to her charm, but interested in its effect on others. The guard was a young man; they should have sent a grizzled old warrior. â€Å"Well,† said the guard, â€Å"I’m sure you won’t, ma’am, but I can’t do what I en’t been ordered to do. You see that, I’m sure. Please stand up, ma’am, and if you stumble, I’ll catch hold of your arm.† She stood up, and Lord Roke felt her move clumsily forward. She was the most graceful human the Gallivespian had ever seen; this clumsiness was feigned. As they reached the head of the gangway, Lord Roke felt her stumble and cry out in alarm, and felt the jar as the guard’s arm caught her. He heard the change in the sounds around them, too; the howl of the wind, the engines turning over steadily to generate power for the lights, voices from somewhere nearby giving orders. They moved down the gangway, Mrs. Coulter leaning heavily on the guard. She was speaking softly, and Lord Roke could just make out his reply. â€Å"The sergeant, ma’am – over there by the large crate – he’s got the keys. But I daren’t ask him, ma’am, I’m sorry.† â€Å"Oh well,† she said with a pretty sigh of regret. â€Å"Thank you anyway.† Lord Roke heard booted feet moving away over rock, and then she whispered: â€Å"You heard about the keys?† â€Å"Tell me where the sergeant is. I need to know where and how far.† â€Å"About ten of my paces away. To the right. A big man. I can see the keys in a bunch at his waist.† â€Å"No good unless I know which one. Did you see them lock the manacles?† â€Å"Yes. A short, stubby key with black tape wound around it.† Lord Roke climbed down hand over hand in the thick fleece of her coat, until he reached the hem at the level of her knees. There he clung and looked around. They had rigged a floodlight, which made the wet rocks glisten brilliantly. But as he looked down, casting around for shadows, he saw the glare begin to swing sideways in a gust of wind. He heard a shout, and the light went out abruptly. He dropped to the ground at once and sprang through the dashing sleet toward the sergeant, who had lurched forward to try and catch the falling floodlight. In the confusion Lord Roke leapt at the big man’s leg as it swung past him, seized the camouflage cotton of the trousers – heavy and sodden with rain already – and kicked a spur into the flesh just above the boot. The sergeant gave a grunting cry and fell clumsily, grasping his leg, trying to breathe, trying to call out. Lord Roke let go and sprang away from the falling body. No one had noticed: the noise of the wind and the engines and the pounding hail covered the man’s cry, and in the darkness his body couldn’t be seen. But there were others close by, and Lord Roke had to work quickly. He leapt to the fallen man’s side, where the bunch of keys lay in a pool of icy water, and hauled aside the great shafts of steel, as big around as his arm and half as long as he was, till he found the one with the black tape. And then there was the clasp of the key ring to wrestle with, and the perpetual risk of the hail, which for a Gallivespian was deadly: blocks of ice as big as his two fists. And then a voice above him said, â€Å"You all right, Sergeant?† The soldier’s daemon was growling and nuzzling at the sergeant’s, who had fallen into a semi-stupor. Lord Roke couldn’t wait: a spring and a kick, and the other man fell beside the sergeant. Hauling, wrestling, heaving, Lord Roke finally snapped open the key ring, and then he had to lift six other keys out of the way before the black-taped one was free. Any second now they’d get the light back on, but even in the half-dark they could hardly miss two men lying unconscious – And as he hoisted the key out, a shout went up. He hauled up the massive shaft with all the strength he had, tugging, heaving, lifting, crawling, dragging, and hid beside a small boulder just as pounding feet arrived and voices called for light. â€Å"Shot?† â€Å"Didn’t hear a thing – â€Å" â€Å"Are they breathing?† Then the floodlight, secure again, snapped on once more. Lord Roke was caught in the open, as clear as a fox in the headlights of a car. He stood stock-still, his eyes moving left and right, and once he was sure that everyone’s attention was on the two men who had fallen so mysteriously, he hauled the key to his shoulder and ran around the puddles and the boulders until he reached Mrs. Coulter. A second later she had unlocked the handcuffs and lowered them silently to the ground. Lord Roke leapt for the hem of her coat and ran up to her shoulder. â€Å"Where’s the bomb?† he said, close to her ear. â€Å"They’ve just begun to unload it. It’s the big crate on the ground over there. I can’t do anything till they take it out, and even then – â€Å" â€Å"All right,† he said, â€Å"run. Hide yourself. I’ll stay here and watch. Run!† He leapt down to her sleeve and sprang away. Without a sound she moved away from the light, slowly at first so as not to catch the eye of the guard, and then she crouched and ran into the rain-lashed darkness farther up the slope, the golden monkey darting ahead to see the way. Behind her she heard the continuing roar of the engines, the confused shouts, the powerful voice of the President trying to impose some order on the scene. She remembered the long, horrible pain and hallucination that she’d suffered at the spur of the Chevalier Tialys, and didn’t envy the two men their waking up. But soon she was higher up, clambering over the wet rocks, and all she could see behind her was the wavering glow of the floodlight reflected back from the great curved belly of the zeppelin; and presently that went out again, and all she could hear was the engine roar, straining vainly against the wind and the thunder of the cataract below. The engineers from the hydro-anbaric station were struggling over the edge of the gorge to bring a power cable to the bomb. The problem for Mrs. Coulter was not how to get out of this situation alive: that was a secondary matter. The problem was how to get Lyra’s hair out of the bomb before they set it off. Lord Roke had burned the hair from the envelope after her arrest, letting the wind take the ashes away into the night sky; and then he’d found his way to the laboratory and watched as they placed the rest of the little dark golden curl in the resonating chamber in preparation. He knew exactly where it was, and how to open the chamber, but the brilliant light and the glittering surfaces in the laboratory, not to mention the constant coming and going of technicians, made it impossible for him to do anything about it there. So they’d have to remove the lock of hair after the bomb was set up. And that was going to be even harder, because of what the President intended to do with Mrs. Coulter. The energy of the bomb came from cutting the link between human and daemon, and that meant the hideous process of intercision: the cages of mesh, the silver guillotine. He was going to sever the lifelong connection between her and the golden monkey and use the power released by that to destroy her daughter. She and Lyra would perish by the means she herself had invented. It was neat, at least, she thought. Her only hope was Lord Roke. But in their whispered exchanges in the zeppelin, he’d explained about the power of his poison spurs: he couldn’t go on using them continually, because with each sting, the venom weakened. It took a day for the full potency to build up again. Before long his main weapon would lose its force, and then they’d only have their wits. She found an overhanging rock next to the roots of a spruce tree that clung to the side of the gorge, and settled herself beneath it to look around. Behind her and above, over the lip of the ravine and in the full force of the wind, stood the generating station. The engineers were rigging a series of lights to help them bring the cable to the bomb: she could hear their voices not far away, shouting commands, and see the lights wavering through the trees. The cable itself, as thick as a man’s arm, was being hauled from a gigantic reel on a truck at the top of the slope, and at the rate they were edging their way down over the rocks, they’d reach the bomb in five minutes or less. At the zeppelin Father MacPhail had rallied the soldiers. Several men stood guard, looking out into the sleet-filled dark with rifles at the ready, while others opened the wooden crate containing the bomb and made it ready for the cable. Mrs. Coulter could see it clearly in the wash of the floodlights, streaming with rain, an ungainly mass of machinery and wiring slightly tilted on the rocky ground. She heard a high-tension crackle and hum from the lights, whose cables swung in the wind, scattering the rain and throwing shadows up over the rocks and down again, like a grotesque jump rope. Mrs. Coulter was horribly familiar with one part of the structure: the mesh cages, the silver blade above. They stood at one end of the apparatus. The rest of it was strange to her; she could see no principle behind the coils, the jars, the banks of insulators, the lattice of tubing. Nevertheless, somewhere in all that complexity was the little lock of hair on which everything depended. To her left the slope fell away into the dark, and far below was a glimmer of white and a thunder of water from the cataract of Saint-Jean-les-Eaux. There came a cry. A soldier dropped his rifle and stumbled forward, falling to the ground, kicking and thrashing and groaning with pain. In response the President looked up to the sky, put his hands to his mouth, and uttered a piercing yell. What was he doing? A moment later Mrs. Coulter found out. Of all unlikely things, a witch flew down and landed beside the President as he shouted above the wind: â€Å"Search nearby! There is a creature of some kind helping the woman. It’s attacked several of my men already. You can see through the dark. Find it and kill it!† â€Å"There is something coming,† said the witch in a tone that carried clearly to Mrs. Coulter’s shelter. â€Å"I can see it in the north.† â€Å"Never mind that. Find the creature and destroy it,† said the President. â€Å"It can’t be far away. And look for the woman, too.† The witch sprang into the air again. Suddenly the monkey seized Mrs. Coulter’s hand and pointed. There was Lord Roke, lying in the open on a patch of moss. How could they not have seen him? But something had happened, for he wasn’t moving. â€Å"Go and bring him back,† she said, and the monkey, crouching low, darted from one rock to another, making for the little patch of green among the rocks. His golden fur was soon darkened by the rain and plastered close to his body, making him smaller and less easy to see, but all the same he was horribly conspicuous. Father MacPhail, meanwhile, had turned to the bomb again. The engineers from the generating station had brought their cable right down to it, and the technicians were busy securing the clamps and making ready the terminals. Mrs. Coulter wondered what he intended to do, now that his victim had escaped. Then the President turned to look over his shoulder, and she saw his expression. It was so fixed and intense that he looked more like a mask than a man. His lips were moving in prayer, his eyes were turned up wide open as the rain beat into them, and altogether he looked like some gloomy Spanish painting of a saint in the ecstasy of martyrdom. Mrs. Coulter felt a sudden bolt of fear, because she knew exactly what he intended: he was going to sacrifice himself. The bomb would work whether or not she was part of it. Darting from rock to rock, the golden monkey reached Lord Roke. â€Å"My left leg is broken,† said the Gallivespian calmly. â€Å"The last man stepped on me. Listen carefully – â€Å" As the monkey lifted him away from the lights, Lord Roke explained exactly where the resonating chamber was and how to open it. They were practically under the eyes of the soldiers, but step by step, from shadow to shadow, the daemon crept with his little burden. Mrs. Coulter, watching and biting her lip, heard a rush of air and felt a heavy knock – not to her body, but to the tree. An arrow stuck there quivering less than a hand’s breadth from her left arm. At once she rolled away, before the witch could shoot another, and tumbled down the slope toward the monkey. And then everything was happening at once, too quickly: there was a burst of gunfire, and a cloud of acrid smoke billowed across the slope, though she saw no flames. The golden monkey, seeing Mrs. Coulter attacked, set Lord Roke down and sprang to her defense, just as the witch flew down, knife at the ready. Lord Roke pushed himself back against the nearest rock, and Mrs. Coulter grappled directly with the witch. They wrestled furiously among the rocks, while the golden monkey set about tearing all the needles from the witch’s cloud-pine branch. Meanwhile, the President was thrusting his lizard daemon into the smaller of the silver mesh cages. She writhed and screamed and kicked and bit, but he struck her off his hand and slammed the door shut quickly. The technicians were making the final adjustments, checking their meters and gauges. Out of nowhere a seagull flew down with a wild cry and seized the Gallivespian in his claw. It was the witch’s daemon. Lord Roke fought hard, but the bird had him too tightly, and then the witch tore herself from Mrs. Coulter’s grasp, snatched the tattered pine branch, and leapt into the air to join her daemon. Mrs. Coulter hurled herself toward the bomb, feeling the smoke attack her nose and throat like claws: tear gas. The soldiers, most of them, had fallen or stumbled away choking (and where had the gas come from? she wondered), but now, as the wind dispersed it, they were beginning to gather themselves again. The great ribbed belly of the zeppelin bulked over the bomb, straining at its cables in the wind, its silver sides running with moisture. But then a sound from high above made Mrs. Coulter’s ears ring: a scream so high and horrified that even the golden monkey clutched her in fear. And a second later, pitching down in a swirl of white limbs, black silk, and green twigs, the witch fell right at the feet of Father MacPhail, her bones crunching audibly on the rock. Mrs. Coulter darted forward to see if Lord Roke had survived the fall. But the Gallivespian was dead. His right spur was deep in the witch’s neck. The witch herself was still just alive, and her mouth moved shudderingly, saying, â€Å"Something coming – something else – coming – â€Å" It made no sense. The President was already stepping over her body to reach the larger cage. His daemon was running up and down the sides of the other, her little claws making the silver mesh ring, her voice crying for pity. The golden monkey leapt for Father MacPhail, but not to attack: he scrambled up and over the man’s shoulders to reach the complex heart of the wires and the pipe work, the resonating chamber. The President tried to grab him, but Mrs. Coulter seized the man’s arm and tried to pull him back. She couldn’t see: the rain was driving into her eyes, and there was still gas in the air. And all around there was gunfire. What was happening? The floodlights swung in the wind, so that nothing seemed steady, not even the black rocks of the mountainside. The President and Mrs. Coulter fought hand to hand, scratching, punching, tearing, pulling, biting, and she was tired and he was strong; but she was desperate, too, and she might have pulled him away, but part of her was watching her daemon as he manipulated the handles, his fierce black paws snapping the mechanism this way, that way, pulling, twisting, reaching in – Then came a blow to her temple. She fell stunned, and the President broke free and hauled himself bleeding into the cage, dragging the door shut after him. And the monkey had the chamber open – a glass door on heavy hinges, and he was reaching inside – and there was the lock of hair: held between rubber pads in a metal clasp! Still more to undo; and Mrs. Coulter was hauling herself up with shaking hands. She shook the silvery mesh with all her might, looking up at the blade, the sparking terminals, the man inside. The monkey was unscrewing the clasp, and the President, his face a mask of grim exultation, was twisting wires together. There was a flash of intense white, a lashing crack, and the monkey’s form was flung high in the air. With him came a little cloud of gold: was it Lyra’s hair? Was it his own fur? Whatever it was, it blew away at once in the dark. Mrs. Coulter’s right hand had convulsed so tightly that it clung to the mesh, leaving her half-lying, half-hanging, while her head rang and her heart pounded. But something had happened to her sight. A terrible clarity had come over her eyes, the power to see the most tiny details, and they were focused on the one detail in the universe that mattered: stuck to one of the pads of the clasp in the resonating chamber, there was a single dark gold hair. She cried a great wail of anguish, and shook and shook the cage, trying to loosen the hair with the little strength she had left. The President passed his hands over his face, wiping it clear of the rain. His mouth moved as though he were speaking, but she couldn’t hear a word. She tore at the mesh, helpless, and then hurled her whole weight against the machine as he brought two wires together with a spark. In utter silence the brilliant silver blade shot down. Something exploded, somewhere, but Mrs. Coulter was beyond feeling it. There were hands lifting her up: Lord Asriel’s hands. There was nothing to be surprised at anymore; the intention craft stood behind him, poised on the slope and perfectly level. He lifted her in his arms and carried her to the craft, ignoring the gunfire, the billowing smoke, the cries of alarm and confusion. â€Å"Is he dead? Did it go off?† she managed to say. Lord Asriel climbed in beside her, and the snow leopard leapt in, too, the half-stunned monkey in her mouth. Lord Asriel took the controls and the craft sprang at once into the air. Through pain-dazed eyes Mrs. Coulter looked down at the mountain slope. Men were running here and there like ants; some lay dead, while others crawled brokenly over the rocks; the great cable from the generating station snaked down through the chaos, the only purposeful thing in sight, making its way to the glittering bomb, where the President’s body lay crumpled inside the cage. â€Å"Lord Roke?† said Lord Asriel. â€Å"Dead,† she whispered. He pressed a button, and a lance of flame jetted toward the tossing, swaying zeppelin. An instant later the whole airship bloomed into a rose of white fire, engulfing the intention craft, which hung motionless and unharmed in the middle of it. Lord Asriel moved the craft unhurriedly away, and they watched as the blazing zeppelin fell slowly, slowly down on top of the whole scene – bomb, cable, soldiers, and all – and everything began to tumble in a welter of smoke and flames down the mountainside, gathering speed and incinerating the resinous trees as it went, until it plunged into the white waters of the cataract, which whirled it all away into the dark. Lord Asriel touched the controls again and the intention craft began to speed away northward. But Mrs. Coulter couldn’t take her eyes off the scene; she watched behind them for a long time, gazing with tear-filled eyes at the fire, until it was no more than a vertical line of orange scratched on the dark and wreathed in smoke and steam, and then it was nothing. How to cite The Amber Spyglass Chapter 25 Saint-Jean-Les-Eaux, Essay examples

Power Corrupts In Kindred Essay Example For Students

Power Corrupts In Kindred Essay Power itself contains two sides,depending on the indiviudal who possesses it. Power is like a plague, very contagious. Power in the right hands creates freedom, peace and fairness. Power in the wrong hands induces despotism, tyranny and persecution. In the novel â€Å"Kindred†, composed by Octavia Butler, power corrupted characters constantly. Power corrupts human emotions and turns friends into foes. Power leads and individual to feel very superior. Most of the times possessing the power can destroy the freedom of others. Power corrupts human feelings. Whenever an individual achieves the power, he/she becomes a different person. Rufus, the main character in the novel, possessed the power after his father’s death. He became very possessive, even to Dana. The first time when Rufus met Dana he had a good reputation and liked her very much. Later on as he became mature and powerful his platonic love to Dana changed to possessive love. He became very jealous of Kevin and was eager to destroy him. Whenever Dana asked if he had received a response from Kevin, he would deny it. That did not last long, she soon found out that Rufus betrayed her. Power can corrupt human emotions entirely. Power can turn allies into enemies. Friendship can last for a long time but can easily be broken. Alice and Rufus were friends since childhood. Later Alice fell in love with Isaac, but Rufus did not like it because he loved Alice too. He attempted to destroy him but they both ran away from the Weylin plantation. Few days later they were cought, whipped and beaten by dogs. Rufus took Alice back to the plantation and healed her with Dana’s help, on the other hand Isaac was being sold to a place where Alice can not see him. As soon as Alice heard this dreadful news, she collapsed. From that moment on she disliked Rufus more than anything else in the world. Power can corrupt good friendship. Power satisfies a need to feel superior. After his father’s death, Rufus wields the power over the whole plantation. Nobody had the strength to say anything that was against his say. Rufus became very malicious and oppressive. He thought he possessed all the slaves on the plantation and started selling people he disliked and thought was not useful. He was flaunting with his power to others so that the slaves would respect him and also would be scared of him. Power leads an indiviudal to feel too proud. Power is like a disease, very epidemics. Power can be a success or a failure, depending on the indiviudal. Power in the right hands creates justice. Power in the wrong hands creates injustices. It corrupts vigorous human feelings and inverts friends into enemies. Power leads a person to feel very conceited . Possessing the power often times lacks the freedom of others.

I Like That EP and concert by Before You Exit free essay sample

The lights come up, and Orlando based Before You Exit jumps into a high energy pop song that immediately has the crowd pulsing with energy. With a sound that is a unique blend of current boy band stardom with a hint of hits from the 90s such as N SYNC, Before You Exit is up and coming but destined for success. Crowd favorites include their Dangeroussingle, Soldier,I Like That,and Three Perfect Days from their I Like That EP. BYEs covers of popular songs such as Fun.s Some Nights and John Legends All of Me are harmonic renditions that the audience also loves. The bands harmonies are just a small part of their musical dexterity. Lyrics are primarily written by Riley, while Connor contributes his musical genius.The members of BYE continuously trade off vocals and various instruments, which provides a refreshing musical experience for the audience and shows off their well- rounded musical abilities. We will write a custom essay sample on I Like That EP and concert by Before You Exit or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Brothers Connor (20), Riley (18), and Toby (16) keep the audience engaged during the entire concert, not just with their harmony filled songs and heartfelt lyrics (Soldier opens with Youve got holes in your jeans, and a few in your heart, you dont know what it means to me to watch you fall apart) but with their fan interactions as well. Before the show, VIP pass holders took pictures with the boys and watched them perform during the sound check. During the show, a few songs were chosen by audience members who were called up onto the stage to pick a ping pong ball out of a hamster ball, which then had the song name on it. The boys connection to their fan base is also seen in their conversations with audience members between songs and their social media following. One Direction definitely has some competition! Before You Exits show was a vibrant display of talent that has left me wanting more. I already have my ticket for a show in June! There are several chances to see them in concert on the East Coast during the summer of 2014.

Profile Interview Essay Samples - A Skill to Cultivate

Profile Interview Essay Samples - A Skill to CultivateWhether you are teaching a single lesson or you're asking someone to help with your business, it is important that you are creative and that you make an impression. This may not seem important, but if you don't take the time to think of ways to be memorable, you will find yourself in the same position you were in when you were designing your cover letter and you were worrying about what was and wasn't important. When you approach a client with a well-written profile interview essay sample, you are already showing that you are confident in what you have to say and that you can communicate your thoughts clearly.It's important to understand that this is a skill and not a talent. Anyone can talk well and look confident in front of the class or at a client. You are more likely to see that in a teacher or an entrepreneur. People with this skill are often better teachers and entrepreneurs are usually able to communicate ideas clearly and quickly.Being good at talking does not mean you have to sound good or that you have to be extremely eloquent. This is important, but you also need to know how to use that to make your speech more effective. It is easier for a listener to listen to someone who is presenting an idea than it is to read over a long and tedious essay.The best part about good profile interview essays is that they come from people who are knowledgeable in the field they are writing about. An author who knows a lot about real estate or teaching can give you a personal experience to relate to your reader. If you look at the composition of some of the best essays, you'll see that they present a practical view of how things could work in a real estate or teaching situation. A student who is in a bookstore can benefit from personal experiences that they may have shared in the classroom.Don't go with just one profile interview essay. You want to choose as many samples as possible and that means giving them all to different people. Different people have different opinions on what is good and what isn't. One person may love a certain speaker or author while another will hate them, so you may need to choose samples based on those opinions.Don't worry about coming up with an essay that is too perfect for the profile interview. This is a difficult skill to teach because you need to be able to be imaginative without being too far out there or being too rigid. Make sure you choose a profile interview essay sample that is professional and that looks professional.Overall, you will find that good profile interview essay samples come from people who have written them. If you are going to choose one, it should be a well-written and easy-to-read essay.

The Story of Gilgamesh in Sumerian Versions

Table of Contents Introduction Discussion Conclusion Work Cited Introduction In world literature 1, the story of Gilgamesh is among the oldest narratives around the world. The story was initially an oral tradition story and was later recorded on clay in Mesopotamia. The legendary story comes in different Sumerian versions from around 2700 B.C. The story talks about the powers of Gilgamesh who was the King of Uruk and the influence of other gods in the land.Advertising We will write a custom essay sample on The Story of Gilgamesh in Sumerian Versions specifically for you for only $16.05 $11/page Learn More Later on it was recorded in a Akkadian version and then reserved in King Assurbanipal‘s library. According to the story, Gilgamesh was a super human creature and a powerful king who could destroy and conquer others (Lishtar para.1). This paper seeks to critique the nature and powers of historical gods and their relationship to humanity in the past centuries as depicted by the narrative. Discussion Heroism of the kings is limited. The story describes how Gilgamesh oppressed people and slept with every woman. This made the people plead with other gods to provide security for them. As a result, Enkidu is created to counter Gilgamesh powers. Enkidu is however not as powerful as the superhuman king because he is part man and part animal. The limitation of the king’s powers is further seen when Gilgamesh fails to prevent death of Enkidu. This incident occurred after Enkidu and Gilgamesh collaborated to kill the Bull of Heaven (drought) who wanted to crush Gilgamesh to death (George 2). Drought had been sent by Anu the father of Ishatar who wanted Gilgamesh to marry her. On refusal, Ishtar compelled her father to kill the King of Uruk. But because two thirds of Gilgamesh was a god and the other third human, Enkidu died. The other issue that emerges from the myth is that the gods in Ukur are uncooperative. This can be see n when the council of gods decide to kill Enkidu as a punishment for Gilgamesh’s actions. This exposed the other humans to the exploitive powers of the King of Ukur. This further shows that the people in Babylonia were subjects to the gods and had no voice. Human beings are also depicted as creatures that have no freedom. According to the story, Gilgamesh gods have the power over life and death but Gilgamesh still becomes worried after realizing that she would also die. When the people pleaded with gods to create a god who would match Gilgamesh’s powers, the gods created Enkidu and also brought an end to his life. In the story, Gilgamesh is determined to learn the secrets behind life and death. The story says that Utnapishtim was the only creature who had the power to eternally live. In his search for the secret, he meets Utnapishtim who tells him about the flood story that is also described in Genesis, in the Bible. The floods symbolically represent the end and punish ment for human kind. Utnapishshtim says that they were saved from the floods by other gods and that it would not occur again. However, human beings have to die since they are not immortal.Advertising Looking for essay on literature languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More According to the story, the Bull of heaven is referred to as drought. This is an irony. Naturally, drought is known to be catastrophic because it causes human suffering. However, the ‘Bull’ springs from heaven where people believe that there are good things and that it is a beautiful land. The other ironic incident is between King Gilgamesh and Enkidu. Gilgamesh is portrayed as a god and a man whereas Enkidu is illustrated as an animal and a man. This is a clear indicator of the differences in the two divinities who were created to control humanity. Conclusion The floods are symbolically used to show that man is immortal and death is inevitabl e. The narrative describes the birth and death of Babylonian gods’. Gilgamesh is depicted as a remorseless leader who has no responsibility for his people. He is depicted as a womanizer and an oppressor. He forces the city’s inhabitants to build walls for the temple so as gain fame. These are indicators of abuse of power and therefore the need to limit the powers of gods. Work Cited George, Andrew. The epic of Gigalmesh: the Babylonian epic poem and other texts in Akkadian and Summerian. London, Great Britain: The Penguin Press, 1999. Print. Lishtar. Gilgamesh and Enkidu: the soul siblings. 1999. Web. http://www.gatewaystobabylon.com/gods/partnerships/gilgaenk1.html This essay on The Story of Gilgamesh in Sumerian Versions was written and submitted by user Charles Doyle to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

20 Evaluation Essay Topics Fresh Ideas about Medical Ethics

20 Evaluation Essay Topics Fresh Ideas about Medical Ethics Medical ethics is a highly controversial and sensitive topic. It is highly debatable and prone to go in many ways. If you are writing an evaluation essay on medical ethics and find yourself in need of a topic, consider the 20 below: Doctors and Physician Assisted Suicide Nursing Theories: Which Theories Are the Most Ethical The Ethics of Preventative Medicine Religious Clashes: How Medical Ethics Confront Religious Beliefs Cultural Bias and Medical Ethics The Ethics of Care for the Mentally Handicapped The Ethics of Pregnancy: When a Doctor Can Have Their Patient Arrested Ethical Dilemmas for Doctors: When Parents Should Be Arrested for Abuse or Negligence Office Place Ethics: When Medical Practitioners Fail to Uphold Office Standards How Medical Ethics Differ in Asian Countries Compared to African Countries When Medical Ethics Are Non-Existent: What Doctors Must Do in Foreign Countries The Ethical Difficulties of Practicing Medicine Overseas Ethical Standards Across the States: What Is Ethical How to Monitor Ethics in the Medical Field Why Medical Ethics Are Still Important How Quality Medical Ethics Classes Are Taught When It Is Medically Ethical to End a Life Why Doctors Cannot End Lives of Suffering Individually The Need for International Ethics in the Medical Field Are Medical Ethics Same Everywhere? Sample Evaluation Essay: Are Medical Ethics the Same Everywhere? There are different standards for medical ethics around the world and in some cases cultural clashes can cause a rift. When people move to America they often keep their cultural practices as a part of who they are, and nowhere was this more prevalent than with the Hmong culture. But this also creates a string of ethical dilemmas for medical practitioners in the West who are legally bound to report certain ethical problems like a parent not following the advice of a doctor after signing to do so. Hmong people often do things in ways unfathomable to Western practitioners because they believe that each condition, its cause, and its potential results, stem from something much different than what western doctors would see. Medicine is seen as a temporary fix among the Hmong, not a permanent thing. This can be an area of ethical concern when a medical condition warrants long term medication such as seizure medication, something parents are not willing to do. In such cases, doctors are legally required to report the parents and have the child taken away even if they know the parents have nothing but the deepest love for their child. Additionally, many Hmong avoid hospitals at all possible costs because they are viewed as charnel houses, where the spirits of dead people linger, not as places of healing like they are viewed by people in the West. This can present additional ethical concerns when people will not seek the medical attention they need or their family needs. One example of this is childbirth. Hmong women who would otherwise not seek medical care, would go to the hospital for delivery incorrectly thinking that if they delivered at home the babies wouldn’t be allowed to be U.S. citizens. They naturally deliver healthy babies most of the time in spite of not receiving any Western prenatal care, due to their culturally nutritious diets, the low rate of smoking, the low rate of drinking, The babies, as a result, are often the right size for birth. There was a high prevalence of new mothers seeking medical attention in the delivery room during the 1980’s and 1990’s but nowhere else. For having such staunch beliefs against much of Western medicine, the love and desire of mothers to ensure the very best of chances for the child overruled any cultural apprehensions in this regard and resulted in mothers bearing their babies in a place they would otherwise have avoided just to give them the citizenship. This is truly an inspir ing perspective if one takes the time to think about it. A great insight into the power of strong cultural values juxtaposed against maternal instincts. The Hmong taught a lot of lessons to the Western culture, many of which are exposed in comparison to medical ethics for Hmong and for Americans. There is a serious problem with the high prevalence of antibiotic use in people and animals, as well as the advertisements for medications on television which inevitably encourage people to incorrectly believe they have symptoms and need medication. What is particularly bothersome though is the idea that Western medicine is always right even though it often treats only the symptoms individually and not the illness, something which results in people taking medication after medication to then treat subsequent symptoms that are the direct result of the previous medication. The Hmong embodied this concept wholly with their disregard to regular medication and the use of only those medicines which were needed. Another aspect of the culture which struck me was how the Hmong people, even those Christian converts, never gave up on their roots no matt er what, always seeking out the traditional medications in tandem with Western medication. Some Hmong patients will explain what treatment they thought would be best and remained optimistic about a particular condition. Many are adamant about Hmong healing and will not follow directions from Western doctors for medications or transfusions, which can represent child abuse and a serious ethical dilemma for western doctors responsible for reporting such behaviors. It seems that with such different beliefs, the treatment of symptoms by the Western medicine will continually conflict with treatment of the entire condition or cause as Eastern medicine generally seeks to do in practice. References: Boylan, Michael.  Medical Ethics. Upper Saddle River, NJ: Prentice Hall, 2000. Print. Campbell, Alastair V and Alastair V Campbell.  Medical Ethics. Auckland, N.Z.: Oxford University Press, 1997. Print. Egendorf, Laura K.  Medical Ethics. Detroit: Thomson/Gale, 2005. Print. Fadiman, Anne.  The Spirit Catches You And You Fall Down. New York: Farrar, Straus, and Giroux, 1997. Print. Skloot, Rebecca.  The Immortal Life Of Henrietta Lacks. New York: Crown Publishers, 2010. Print. Torr, James D.  Medical Ethics. San Diego, CA: Greenhaven Press, 2000. Print. Veatch, Robert M.  Medical Ethics. Sudbury, Mass.: Jones and Bartlett Publishers, 1997. Print.